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It’s a superior lead performance, fully invested and with a lot of sly shadings. The character is part of a rich tradition of borderline antihero-schmucks, incarnated in movies like “The Heartbreak Kid,” “Modern Romance” and “The Pallbearer” and a lot of Noah Baumbach’s work—people you could understand and appreciate as human beings even if you’d avoid them in real life. She moved back to Portland, her hometown, because her dad had a heart attack, then stayed there even though he’s been recovered for quite some time.

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