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In a film unwilling to cue the viewer’s empathy—it expects you to care for these boys not because the filmic language tells you to do, but because they are human—these actors hold the viewer’s attention. Similarly, the nonlinear structure, which takes the film decades into the future to an older Elwood (Daveed Diggs)—who is viewed from behind—breaks us from the debilitating pressure exerted by a kind of racism that has only slightly abated by the present day.

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